Posted by Samuel on Sat 06th Jun, 2020 - 91˛Öżâ
As cousins, McCoy and Majek started their music careers together and were part of the group called Jastix along with Black Rice who was the lead singer.
Majek Fashek
Only a few people knew the late music icon Majek Fashek better than his cousin and former band mate Amos McRoy, who is now a pastor at Seed of Abraham International Christian Centre.
As cousins, McCoy and Majek started their music careers together and were part of the group called Jastix along with Black Rice who was the lead singer. One of the main gigs of the band was to play at music show âMusic Panoramaâ which aired on NTA Benin â a gig facilitated by Orits Wiliki. When the Jastix disbanded, McRoy and Majek focused on their solo careers but also remained very close.
In a 2013 interview by Musa Jibril for the defunct 91˛Öżâ Express newspaper, McRoy gave a detailed revelation of the mysterious fall of Majek who at that time had already hit rock bottom and how his adventure into Spiritism affected his craft and person.
Spiritism
âMany people think Majekâs problem is drug-related. Truth is Majekâs problem is spiritual. Majek strayed into spiritism. Once, while on stage, Majek said, âOh, Fela is my boy. Bob Marley is my boyâ. âHe made that statement during a Rothmans Show at Tafawa Balewa Square and Dede Mabiaku, Felaâs protĂŠgĂŠ, went berserk. It took the intervention of Eddie Lawani to calm him. Dede didnât quite understand what Majek was talking about. He was taking it from the physical sense, whereas Majek was talking spiritual. âMajek went into spiritism at a lightning speed â like jumping from kindergarten straight to the university. Without a linking bridge, he was not properly schooled. So he couldnât keep the rules. âMajek totally âcrossed the lineâ after the release of Prisoner of Conscience. Those days, we were sharing the same duplex at Anthony Village. I would see the Guru Maharaji people come to visit him. The same Guru Maharaji we all know, just starting out at the time. The Hare Krishna people also came. I thought âoh, this guy is popular, thatâs why they are coming to him for one favour or anotherâ. I didnât know that it was deeper than that.â
Success of Send Down the Rain
âMajek released his album in April 1988. I released mine a year after. We were under the same management. We rehearsed at the same place, using the same band as back up. One day, we were coming from rehearsal; he was driving his Peugeot 505 car. One of our backup singers, Monica Omorodion (who now lives in the US), said âBros Amos, why is your record not making waves like Majekâs, or The Mandators, or Kimono?â Majek looked at me in the rear mirror and said, âDonât mind Amos. He doesnât want to ask me the road I passed to become a star. He thinks it is good record that makes someone a starâ. When he made that statement, I gave him a knock from behind. âMy friend shut up there! What are you doing that I am not doing?â I said. He switched to Benin language. âThis is not the Majek you grew up withâ, he said. Still I did not understand. âIt took me 10 years to connect the dots. Not until we went to Cote dâIvoire in 1998 that Majek told me certain things, that I became aware, in hindsight that âOkay, that is what my brother was talking about back thenâ. âThe song âSend Down The Rainâ had a spiritual force behind it. That was one of the things he told me in Cote dâIvoire. Based on what he told me, I think he âcrossed the lineâ before he released the album. âIn Cote dâIvoire, I asked him certain questions. His reply was: âAmos, are you that naive? I released Send Down The Rain, everywhere that song was played, rain must fall. Even in summer while we were on US tour, I played Send Down The Rain and rain fell. I released Free Mandela and that month Mandela was released. I did fire (Majek Beware) the week that record was released was the week the Rodney King incident happened. That song, Fire o! Fire o! was played for almost two months in all the TV and radio stations in Los Angeles during that Rodney King episode. So, are you that naive? Donât you reason? âHe started mentioning spiritual books. Then he told me: âYou donât know, I have got to the level of de Lawrenceâ. That was when I understood from which perspective he was talking when he said Fela and Bob Marley are his boys.â âWhile we were growing up in the church, we were competing spiritually by fasting. There were three of us â myself, Majek and Friday Omagbon, who is now late. If Majek fasted for three days, Friday and I would go for seven days dry fasting. That was how we grew up. We were competing spiritually. âOnce in a while, God revealed things to him which he shared with us. And those things came to pass as they were revealed to him. If he had not gone into music, he would most definitely become a minister of God. If you listen to most of his songs, like Holy Spirit, or Righteousness Take Over The Earth, he was more or less a gospel artiste.â
Weird manifestations
âI started noticing weird manifestations in him at about 1991-2. We had a show at Eko LeâMeriden Hotel in Victo- ria Island, Lagos. To my surprise my brother came on stage fully dressed in a native doctorâs attire instead of his regular outfit. By that time, we were not living together anymore. âMajekâs problem is not drug-related. He took to alcoholism to get over his real problem. Failing to keep the rules of whatever he delved into, he started to hallucinate. He started seeing things. âFor instance, if he was in a room, he would tell you âopen the door, open the windowâ. If you tell him the air condition is on, he would say âCanât you see them spirits; you want to trap the spirits. Men, let the spirits move aroundâ. âHe felt he could stop seeing those things by getting drunk. Till date, he has not been able to liberate himself from those spirits. Before we went to Cote dâIvoire, we had few shows here â First at Waterparks in Ikeja, then at MUSON Centre on Lagos Island, thereafter, the eastern part of the country. By then Majekâs behaviour had become erratic. He would come on stage, unzipped his fly and started saying âLet me show you my d**k. I used to f**k American P***yâ.
âHe broke the rulesâ
âThe event we went for in Cote dâIvoire was like Nigeriaâs Festac 77. Black artistes from all over the world were there for one week at the FĂŠlix Houphouet-Boigny Stadium in Abidjan. The Marley family came, so was every big reggae artiste. âI was determined not to let him disgrace himself the way he had been doing lately in Nigeria. We got to our hotel and after allocating rooms, I stayed with him in his suite. As soon as he called room service and ordered for a bottle of brandy, I would pick the intercom immediately and cancel the order. We would begin to quarrel. For three days, I gave him close marking. He couldnât drink alcohol. I forced him to eat. âOn the third night, around 2 a.m., while we were watching a movie in his suite, he looked at me and shook his head. He said: âAmos I envy you, menâ. I said âWhat do you mean? How can you envy me, you are the starâ. He said: âYou wonât understand. Just hold on to Christ, the way you are, he would reward you at last.â âI started probing him. One of the questions I asked was: âAll these reports about you reading the Seven Books of Moses, are you really reading them? His reply: âSeven Books of Moses? Those are kindergarten booksâ. He started mentioning books that I have never heard of in my life. He mentioned names too. That was how he came up with the line that he is getting to the level of de Lawrence. He told me many things. He told me he couldnât keep the rules. He broke the rules. But he failed to tell me what the rules were. âIt was in Lagos he mixed up with the wrong crowd, but his case worsened in the US. The circle he fell into in America complicated his problem, especially when he met a promoter called Paul (surname withheld). âWhen he was signed on to Interscope Records, they brought in the producer of U2 to work on his album. That man also spiritually influenced him negatively. Those two guys were steep in spiritism. There is no difference in spiritism here in Nigeria and over there in America. The devil is the same everywhere. âThis is the irony: once Majek gets on stage, the spirit steps aside for him to perform; once he finished performing, the spirit comes back to start the torment.
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